The best sound totally depends on the situation... I usually use a good large capsule condenser, coming off axis from the front towards the f-hole (is that correct english?). The distance depends on the music and the room. Good sounding room with more distance gets you a more classical sound, being closer gets more grip to cut through a pop or rock arrangement. A crap sounding room with more distance gets you crap (surprise, surprise...). If the situation calls for it I add a room mic, maybe even several.
Anyway, cello isn't terribly difficult to record unless the room, instrument or player sucks. So you'll probably get a good sound fast with 1 or 2 decent mics.
Michael
Gigabyte GA-EX58-UD5, I7 920, 6GB Ram, 1 UAD1, 1 UAD2 quad, 2 pocos, 2 SSL Duende (1 classic & 1 pcie), RME digiface pci, Win XP 32 sp3
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